Deputy Sheriff Carl Houseman returns for the latest instalment in the fast-paced crime series. In a rural part of Nation County, the body of a dead male is discovered in a ditch with one gunshot wound to the head. What appears to be a routine investigation for Carl Houseman and his team turns into a mysterious case, as they learn that there is no way of identifying the dead man: no fingerprint records, no dental records, nothing. This is the cue for an FBI investigator to enter the scene; a new face from the bureau, who suspects it is the body of a Columbian terrorist. Meanwhile, a local meat-packing plant has been accused of passing off contaminated produce. In a town straining under the pressure of mass immigration, the Jewish plant owners suspect foul play. Can there be a connection with the Columbian corpse? Houseman and FBI agent Hester Gorse chase the leads once again in another nail-biting race to discover the truth.
From Publishers Weekly
A bungling group of terrorists try to poison the beef shipped from an Iowa meat plant in the fifth installment of Harstad's Carl Houseman series of police procedurals (Code Sixty-One, etc.). Though buoyed by its engagingly homespun first-person narration and keen sense of place, the novel suffers from an idling plot that is sometimes frustratingly underdeveloped. Houseman, second in command of the Nation County Sheriff's Department, is investigating an execution-style killing in a remote corner of his jurisdiction. The victim is Latino, one of hundreds of recent immigrants to descend on Nation County who have irked the natives by taking local jobs and injecting a form of multiculturalism that doesn't go over well in rural Iowa. Houseman, along with sidekick state agent Hester Gorse, tie the victim and the killer to the new kosher meat plant in neighboring Battenberg, which is now reeling from the discovery that several sides of beef have been poisoned with the toxic substance ricin. Fortunately, there's been only one death so far-that of the inept terrorist who apparently sprayed the poison on himself as well as the beef. Yet Houseman and others suspect the worst: that Islamic fundamentalists have invaded the heartland with a new strategy to kill Jews. Harstad, a 26-year veteran of Iowa law enforcement, steers his plot to a fine shoot-'em-up ending, yet much of this procedural gets bogged down in procedures that are both predictable and fail to advance the action. Worse, Harstad never fully explains who the terrorists are nor identifies their ultimate goal. Nevertheless, his laid-back Midwestern voice and descriptive skills carry the story and prove again that he has the tools to carve a niche of his own in crime fiction. Copyright 2003 Reed Business Information, Inc.
Description:
Deputy Sheriff Carl Houseman returns for the latest instalment in the fast-paced crime series. In a rural part of Nation County, the body of a dead male is discovered in a ditch with one gunshot wound to the head. What appears to be a routine investigation for Carl Houseman and his team turns into a mysterious case, as they learn that there is no way of identifying the dead man: no fingerprint records, no dental records, nothing. This is the cue for an FBI investigator to enter the scene; a new face from the bureau, who suspects it is the body of a Columbian terrorist. Meanwhile, a local meat-packing plant has been accused of passing off contaminated produce. In a town straining under the pressure of mass immigration, the Jewish plant owners suspect foul play. Can there be a connection with the Columbian corpse? Houseman and FBI agent Hester Gorse chase the leads once again in another nail-biting race to discover the truth.
From Publishers Weekly
A bungling group of terrorists try to poison the beef shipped from an Iowa meat plant in the fifth installment of Harstad's Carl Houseman series of police procedurals (Code Sixty-One, etc.). Though buoyed by its engagingly homespun first-person narration and keen sense of place, the novel suffers from an idling plot that is sometimes frustratingly underdeveloped. Houseman, second in command of the Nation County Sheriff's Department, is investigating an execution-style killing in a remote corner of his jurisdiction. The victim is Latino, one of hundreds of recent immigrants to descend on Nation County who have irked the natives by taking local jobs and injecting a form of multiculturalism that doesn't go over well in rural Iowa. Houseman, along with sidekick state agent Hester Gorse, tie the victim and the killer to the new kosher meat plant in neighboring Battenberg, which is now reeling from the discovery that several sides of beef have been poisoned with the toxic substance ricin. Fortunately, there's been only one death so far-that of the inept terrorist who apparently sprayed the poison on himself as well as the beef. Yet Houseman and others suspect the worst: that Islamic fundamentalists have invaded the heartland with a new strategy to kill Jews. Harstad, a 26-year veteran of Iowa law enforcement, steers his plot to a fine shoot-'em-up ending, yet much of this procedural gets bogged down in procedures that are both predictable and fail to advance the action. Worse, Harstad never fully explains who the terrorists are nor identifies their ultimate goal. Nevertheless, his laid-back Midwestern voice and descriptive skills carry the story and prove again that he has the tools to carve a niche of his own in crime fiction.
Copyright 2003 Reed Business Information, Inc.
From Booklist
Harstad is at the top of his game in this captivating fifth case for rural Iowa deputy sheriff Carl Houseman. It all begins when Carl and state agent Hester Gorse get a call to come out to the Heinmen boys' farm, where they find "one dead, and I mean really dead, dude lying in the roadway." Another even deader dude leads the pair to a crime with international implications, involving a kosher meat-packing plant that employs enough illegal aliens to make the small town of Battenberg a cultural melting pot, with the nation's highest per capita population of rabbis. A wealth of authentic investigative detail and a diverse cast are winningly conveyed through Houseman's gently sardonic tone, pragmatic outlook, and sheer, boyish enthusiasm for his work. Harstad keeps the tension high by punctuating the fine-grained, methodical investigation with short scenes from the explosive final showdown at a derelict farm. This is a thoroughly believable and compelling police procedural from the American heartland's answer to Michael Connelly, Ian Rankin and Henning Mankell. David Wright
Copyright © American Library Association. All rights reserved