Set in the Georgian period, about 20 years before the Regency, These Old Shades is considered to be the book that launched Heyer's career. It features two of Heyer's most memorable characters: Justin Alastair, the Duke of Avon, and Leonie, whom he rescues from a life of ignomy and comes to love and marry.
The Duke is known for his coldness of manner, his remarkable omniscience, and his debauched lifestyle. Late one evening, he is accosted by a young person dressed in ragged boy's clothing running away from a brutal rustic guardian. The Duke buys "Leon" and makes the child his page. "Leon" is in fact Leonie, and she serves the Duke with deep devotion. When he uncovers the true story of her birth, he wreaks an unforgettable revenge on her sinister father in a chilling scene of public humiliation.
PRAISE FOR GEORGETTE HEYER:
"Our Georgette Heyer display of the Sourcebooks reprints has been a huge success, not only to those early fans like myself, but to many new readers who appreciate her style and wit." Nancy Olson, Quail Ridge Books, Raleigh, NC
"Reading Georgette Heyer is the next best thing to reading Jane Austen." Publishers Weekly
"Wonderful characters, elegant, witty writing, perfect period detail, and rapturously romantic. Georgette Heyer achieves what the rest of us only aspire to." Katie Fforde
"Absolute monarch of the Regency romance." Kirkus Reviews
Amazon.com Review
A gentleman was strolling down a side street in Paris, on his way back from the house of one Madame de Verchoureux. He walked mincingly, for the red heels of his shoes were very high. A long purple cloak, rose-lined, hung from his shoulders and was allowed to fall carelessly back from his dress, revealing a full-skirted coat of purple satin, heavily laced with gold; a waistcoat of flowered silk; faultless small clothes; and a lavish sprinkling of jewels on his cravat and breast. *
The gentleman in question is Justin Alastair, the Duke of Avon, known by friends and enemies alike as Satanas--the devil. On this particular evening, the dangerous rake crosses paths with Léon, a red-headed youth of low birth who is fleeing a certain beating at his brutal brother's hands. On a whim, Avon buys the boy and makes him his page. It soon becomes clear, however, that Léon is not what he seems, and that Avon has an ulterior motive for bringing him into his household. Set in pre-Revolutionary France, These Old Shades follows a twisting course as young Léon (or is it Léonie?) is swept up in a dangerous mystery: how to account for the page's amazing resemblance to the sinister Compte de Saint Vire, for example; and why will this man go to any lengths to get the youth in his power?
Georgette Heyer's historical romances tend to fall into two different camps: later novels such as Cotillion, False Colours, and Sylvester feature larger-than-life comic characters and romantic pairings more akin to Beatrice and Benedick than Hero and Claudio. Earlier works such as These Old Shades, however, tend to be darker, tinged with mystery and overshadowed by very real menace. What both types share is Heyer's fine storytelling and encyclopedic knowledge of Regency mores and manners--her books are the next best thing to a time machine. These Old Shades's greatest asset, however, is the charming Léonie: beautiful, brave, and loyal to a fault, with a fondness for swordplay and pistols and a delightfully incomplete grasp of the English language. Heyer herself was so fond of this character that she featured her in two more novels, Devil's Cub and An Infamous Army. --Alix Wilber
From Library Journal
Justin Alastair, Duke of Avon, is called "Satanas" by enemy and friend alike. In the aristocratic circles of both London and Paris he has a reputation as a dangerous and debauched rake. He has the occasional odd whim, however, and when a semistarved, ragged child literally falls into his arms on a dark Paris street, Justin purchases the miserable scrap from his abusive guardian and makes the child his page. Cleaned up and properly dressed, Leon proves to be surprisingly comely, with delicate features and flaming red hair. His delicate manners coexist with a personality that combines innocence and arrogance with a fiery temper and a willful stubbornness. Strangest of all, he bears a strong resemblance to the Comte de Saint-Vire, an old enemy of Justin's. Before long Leon is unmasked as the girl Leonie, but the mystery of her heritage deepens. The strength of the characters rather than the plot fuels this novel. Justin cuts a dark and brooding hero figure; his motives are definitely dubious at the beginning of the story and remain questionable. Even the secondary characters are strongly drawn, distinct, and important to plot development. Narrator Cornelius Garrett does an excellent job, offering a rendition of Justin that is suitably languid. Highly recommended. Barbara Rhodes, Northeast Texas Lib. Syst., Garland Copyright 2002 Reed Business Information, Inc.
Description:
Set in the Georgian period, about 20 years before the Regency, These Old Shades is considered to be the book that launched Heyer's career. It features two of Heyer's most memorable characters: Justin Alastair, the Duke of Avon, and Leonie, whom he rescues from a life of ignomy and comes to love and marry.
The Duke is known for his coldness of manner, his remarkable omniscience, and his debauched lifestyle. Late one evening, he is accosted by a young person dressed in ragged boy's clothing running away from a brutal rustic guardian. The Duke buys "Leon" and makes the child his page. "Leon" is in fact Leonie, and she serves the Duke with deep devotion. When he uncovers the true story of her birth, he wreaks an unforgettable revenge on her sinister father in a chilling scene of public humiliation.
PRAISE FOR GEORGETTE HEYER:
"Our Georgette Heyer display of the Sourcebooks reprints has been a huge success, not only to those early fans like myself, but to many new readers who appreciate her style and wit."
Nancy Olson, Quail Ridge Books, Raleigh, NC
"Reading Georgette Heyer is the next best thing to reading Jane Austen."
Publishers Weekly
"Wonderful characters, elegant, witty writing, perfect period detail, and rapturously romantic. Georgette Heyer achieves what the rest of us only aspire to."
Katie Fforde
"Absolute monarch of the Regency romance."
Kirkus Reviews
Amazon.com Review
The gentleman in question is Justin Alastair, the Duke of Avon, known by friends and enemies alike as Satanas--the devil. On this particular evening, the dangerous rake crosses paths with Léon, a red-headed youth of low birth who is fleeing a certain beating at his brutal brother's hands. On a whim, Avon buys the boy and makes him his page. It soon becomes clear, however, that Léon is not what he seems, and that Avon has an ulterior motive for bringing him into his household. Set in pre-Revolutionary France, These Old Shades follows a twisting course as young Léon (or is it Léonie?) is swept up in a dangerous mystery: how to account for the page's amazing resemblance to the sinister Compte de Saint Vire, for example; and why will this man go to any lengths to get the youth in his power?
Georgette Heyer's historical romances tend to fall into two different camps: later novels such as Cotillion, False Colours, and Sylvester feature larger-than-life comic characters and romantic pairings more akin to Beatrice and Benedick than Hero and Claudio. Earlier works such as These Old Shades, however, tend to be darker, tinged with mystery and overshadowed by very real menace. What both types share is Heyer's fine storytelling and encyclopedic knowledge of Regency mores and manners--her books are the next best thing to a time machine. These Old Shades's greatest asset, however, is the charming Léonie: beautiful, brave, and loyal to a fault, with a fondness for swordplay and pistols and a delightfully incomplete grasp of the English language. Heyer herself was so fond of this character that she featured her in two more novels, Devil's Cub and An Infamous Army. --Alix Wilber
From Library Journal
Justin Alastair, Duke of Avon, is called "Satanas" by enemy and friend alike. In the aristocratic circles of both London and Paris he has a reputation as a dangerous and debauched rake. He has the occasional odd whim, however, and when a semistarved, ragged child literally falls into his arms on a dark Paris street, Justin purchases the miserable scrap from his abusive guardian and makes the child his page. Cleaned up and properly dressed, Leon proves to be surprisingly comely, with delicate features and flaming red hair. His delicate manners coexist with a personality that combines innocence and arrogance with a fiery temper and a willful stubbornness. Strangest of all, he bears a strong resemblance to the Comte de Saint-Vire, an old enemy of Justin's. Before long Leon is unmasked as the girl Leonie, but the mystery of her heritage deepens. The strength of the characters rather than the plot fuels this novel. Justin cuts a dark and brooding hero figure; his motives are definitely dubious at the beginning of the story and remain questionable. Even the secondary characters are strongly drawn, distinct, and important to plot development. Narrator Cornelius Garrett does an excellent job, offering a rendition of Justin that is suitably languid. Highly recommended.
Barbara Rhodes, Northeast Texas Lib. Syst., Garland
Copyright 2002 Reed Business Information, Inc.