Here is Peter Benchley’s classic suspense novel of shark versus man, which was made into the blockbuster Steven Spielberg movie. The Jaws phenomenon changed popular culture and continues to inspire a growing interest in sharks and the oceans today.
When Peter Benchley wrote Jaws in the early 1970s, he meticulously researched all available data about shark behavior. Over the ensuing decades, Benchley was actively engaged with scientists and filmmakers on expeditions around the world as they expanded their knowledge of sharks. Also during this time, there was an unprecedented upswing in the number of sharks killed to make shark-fin soup, and Benchley worked with governments and nonprofits to sound the alarm for shark conservation. He encouraged each new generation of Jaws fans to enjoy his riveting tale and to channel their excitement into support and protection of these magnificent, prehistoric apex predators.
This edition of Jaws contains bonus content from Peter Benchley’s archives, including the original typed title page, a brainstorming list of possible titles, a letter from Benchley to producer David Brown with honest feedback on the movie adaptation, and excerpts from Benchley’s book Shark Trouble highlighting his firsthand account of writing Jaws, selling it to Universal Studios, and working with Steven Spielberg.
NEW YORK TIMES BESTSELLER
“A tightly written, tautly paced study of terror [that] makes us tingle.”—The Washington Post
“Powerful . . . [Benchley’s] story grabs you at once.”—The New York Times Book Review
“Relentless terror . . . You’d better steel yourself for this one. It isn’t a tale for the faint of heart.”—The Philadelphia Inquirer “Pure engrossment from the very opening . . . a fine story told with style, class, and a splendid feeling for suspense.”—Chicago Sun-Times
This novel about a rogue shark that terrorizes a beach community hasn’t aged a day since its publication more than 35 years ago. Benchley’s writing is lean and efficient—this is his first novel, and also by far his best—and the story is a solid mixture of small-town politics, mystery, and outright terror. The author positions his protagonist, police chief Martin Brody, as virtually the lone voice of reason in a town filled with people who want to downplay the shark’s presence (so as not to scare away tourists with their bulging wallets); and when the body count starts to rise, it’s Brody who has to find a way to kill the beast, even if it means putting his own life on the line. The familiar characters—Brody, oceanographer Matt Hooper, shark-hunter Quint—are not as likable as they are in Steven Spielberg’s classic film adaptation, but in the context of the novel, they are well drawn and compelling. Those who are familiar with the movie, but not the book, are in for some surprises, and those who read the book way back when should definitely give it another look. --David Pitt
Description:
Here is Peter Benchley’s classic suspense novel of shark versus man, which was made into the blockbuster Steven Spielberg movie. The Jaws phenomenon changed popular culture and continues to inspire a growing interest in sharks and the oceans today.
When Peter Benchley wrote Jaws in the early 1970s, he meticulously researched all available data about shark behavior. Over the ensuing decades, Benchley was actively engaged with scientists and filmmakers on expeditions around the world as they expanded their knowledge of sharks. Also during this time, there was an unprecedented upswing in the number of sharks killed to make shark-fin soup, and Benchley worked with governments and nonprofits to sound the alarm for shark conservation. He encouraged each new generation of Jaws fans to enjoy his riveting tale and to channel their excitement into support and protection of these magnificent, prehistoric apex predators.
This edition of Jaws contains bonus content from Peter Benchley’s archives, including the original typed title page, a brainstorming list of possible titles, a letter from Benchley to producer David Brown with honest feedback on the movie adaptation, and excerpts from Benchley’s book Shark Trouble highlighting his firsthand account of writing Jaws, selling it to Universal Studios, and working with Steven Spielberg.
NEW YORK TIMES BESTSELLER
“A tightly written, tautly paced study of terror [that] makes us tingle.”—The Washington Post
“Powerful . . . [Benchley’s] story grabs you at once.”—The New York Times Book Review
“Relentless terror . . . You’d better steel yourself for this one. It isn’t a tale for the faint of heart.”—The Philadelphia Inquirer
“Pure engrossment from the very opening . . . a fine story told with style, class, and a splendid feeling for suspense.”—Chicago Sun-Times
From Publishers Weekly
Starred Review. Benchley's novel, while better known as the source material for Steven Spielberg's classic movie, has earned its own stripes as a small gem of suspense fiction. With another summer fast approaching, audio listeners may be interested in revisiting the town of Amity, Long Island, and getting back in the water. Erik Steele, a theater and film actor, chomps into Benchley's raw prose with appetite, enjoying every bite of gore and social observation. Making ample use of well-placed pauses and silences, Steele amplifies not only the suspense, but Benchley's surprisingly well-honed characterizations. The experience, of course, is markedly different from Spielberg's film, offering shocks less visceral and more contemplative. A Random House hardcover. (Apr.)
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From Booklist
This novel about a rogue shark that terrorizes a beach community hasn’t aged a day since its publication more than 35 years ago. Benchley’s writing is lean and efficient—this is his first novel, and also by far his best—and the story is a solid mixture of small-town politics, mystery, and outright terror. The author positions his protagonist, police chief Martin Brody, as virtually the lone voice of reason in a town filled with people who want to downplay the shark’s presence (so as not to scare away tourists with their bulging wallets); and when the body count starts to rise, it’s Brody who has to find a way to kill the beast, even if it means putting his own life on the line. The familiar characters—Brody, oceanographer Matt Hooper, shark-hunter Quint—are not as likable as they are in Steven Spielberg’s classic film adaptation, but in the context of the novel, they are well drawn and compelling. Those who are familiar with the movie, but not the book, are in for some surprises, and those who read the book way back when should definitely give it another look. --David Pitt