Susan Orlean has been called “a national treasure” by The Washington Post and “a kind of latter-day Tocqueville” by The New York Times Book Review. In addition to having written classic articles for The New Yorker, she was played, with some creative liberties, by Meryl Streep in her Golden Globe Award—winning performance in the film Adaptation. Now, in My Kind of Place, the real Susan Orlean takes readers on a series of remarkable journeys in this uniquely witty, sophisticated, and far-flung travel book. In this irresistible collection of adventures far and near, Orlean conducts a tour of the world via its subcultures, from the heart of the African music scene in Paris to the World Taxidermy Championships in Springfield, Illinois–and even into her own apartment, where she imagines a very famous houseguest taking advantage of her hospitality. With Orlean as guide, lucky readers partake in all manner of armchair activity. They will climb Mt. Fuji and experience a hike most intrepid Japanese have never attempted; play ball with Cuba’s Little Leaguers, promising young athletes born in a country where baseball and politics are inextricably intertwined; trawl Icelandic waters with Keiko, everyone’s favorite whale as he tries to make it on his own; stay awhile in Midland, Texas, hometown of George W. Bush, a place where oil time is the only time that matters; explore the halls of a New York City school so troubled it’s known as “Horror High”; and stalk caged tigers in Jackson, New Jersey, a suburban town with one of the highest concentrations of tigers per square mile anywhere in the world. Vivid, humorous, unconventional, and incomparably entertaining, Susan Orlean’s writings for The New Yorker have delighted readers for over a decade. My Kind of Place is an inimitable treat by one of America’s premier literary journalists.
Orlean is best known for The Orchid Thief, which was recast as the movie Adaptation. These essays similarly cast ordinary people in a most extraordinary light, from parents of beauty pageant girls to Cuban farmers. Critics don’t call her one of our best essayists for nothing. Orlean approaches her subjects with intense curiosity and fairness, has an unusually good ear for language and dialogue, and arrives at perceptive conclusions about human behavior. Still, My Kind of Place is an uneven collection. Most critics found the first two parts ("Here," for pieces set in U.S., and "There," for abroad) clever and insightful. But the last part, "Everywhere", due to some rather self-indulgent pieces, flagged. Finally, some critics felt the cover photo belies Orlean’s adventurous spirit. Perhaps that shouldn’t matter; few essayists traverse such varied terrain with such clear eyes.
Description:
Susan Orlean has been called “a national treasure” by The Washington Post and “a kind of latter-day Tocqueville” by The New York Times Book Review. In addition to having written classic articles for The New Yorker, she was played, with some creative liberties, by Meryl Streep in her Golden Globe Award—winning performance in the film Adaptation.
Now, in My Kind of Place, the real Susan Orlean takes readers on a series of remarkable journeys in this uniquely witty, sophisticated, and far-flung travel book. In this irresistible collection of adventures far and near, Orlean conducts a tour of the world via its subcultures, from the heart of the African music scene in Paris to the World Taxidermy Championships in Springfield, Illinois–and even into her own apartment, where she imagines a very famous houseguest taking advantage of her hospitality.
With Orlean as guide, lucky readers partake in all manner of armchair activity. They will climb Mt. Fuji and experience a hike most intrepid Japanese have never attempted; play ball with Cuba’s Little Leaguers, promising young athletes born in a country where baseball and politics are inextricably intertwined; trawl Icelandic waters with Keiko, everyone’s favorite whale as he tries to make it on his own; stay awhile in Midland, Texas, hometown of George W. Bush, a place where oil time is the only time that matters; explore the halls of a New York City school so troubled it’s known as “Horror High”; and stalk caged tigers in Jackson, New Jersey, a suburban town with one of the highest concentrations of tigers per square mile anywhere in the world.
Vivid, humorous, unconventional, and incomparably entertaining, Susan Orlean’s writings for The New Yorker have delighted readers for over a decade. My Kind of Place is an inimitable treat by one of America’s premier literary journalists.
From Publishers Weekly
Orlean (The Orchid Thief) hasn't so much been everywhere as she's been everywhere no one else has thought to go. In this collection, she focuses not on cities but on singular locales and events. She zooms in on an African music shop in Paris, a grocery store in Queens and a fertility blessing ceremony in Bhutan. Belying the book's bland title, Orlean's essays are rich in color, metaphor and crafty language. For example, in Iceland, "the wind never huffs or puffs but simply blows your house down." Orlean's subtle humor infuses her writing as she uncovers strange beauties: a taxidermy convention is "a surreal carnality, but all conveyed with the usual trade show earnestness and hucksterism, with no irony and no acknowledgment that having buckets of bear noses for sale was anything out of the ordinary." Orlean uses the word "travel" loosely; "I view all stories as journeys," she explains. Indeed, many of the final pieces aren't grounded by place, but they nicely round out an insightful collection by an exceptional essayist.
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From Bookmarks Magazine
Orlean is best known for The Orchid Thief, which was recast as the movie Adaptation. These essays similarly cast ordinary people in a most extraordinary light, from parents of beauty pageant girls to Cuban farmers. Critics don’t call her one of our best essayists for nothing. Orlean approaches her subjects with intense curiosity and fairness, has an unusually good ear for language and dialogue, and arrives at perceptive conclusions about human behavior. Still, My Kind of Place is an uneven collection. Most critics found the first two parts ("Here," for pieces set in U.S., and "There," for abroad) clever and insightful. But the last part, "Everywhere", due to some rather self-indulgent pieces, flagged. Finally, some critics felt the cover photo belies Orlean’s adventurous spirit. Perhaps that shouldn’t matter; few essayists traverse such varied terrain with such clear eyes.
Copyright © 2004 Phillips & Nelson Media, Inc.